This is one of my favorite poems
by Al Zolynas
--for my students
Afternoon. Across the garden, in Green Hall,
someone begins playing the old piano--
a spontaneous piece, amateurish and alive,
full of a simple, joyful melody.
The music floats among us in the classroom.
I stand in front of my students
telling them about sentence fragments.
I ask them to find the ten fragments
in the twenty-one-sentence paragraph on page forty-five.
They've come from all parts
of the world--Iran, Micronesia, Africa,
Japan, China, even Los Angeles--and they're still
eager to please me. It's less than half
way through the quarter.
They bend over their books and begin.
Hamid's lips move as he follows
the tortuous labyrinth of English syntax.
Yoshie sits erect, perfect in her pale make-up,
legs crossed, quick pulse minutely
jerking her right foot. Tony,
from an island in the South Pacific, sprawls
limp and relaxed in his desk.
The melody floats around and through us
in the room, broken here and there, fragmented,
re-started. It feels Mideastern, but
it could be jazz, or the blues--it could be
anything from anywhere.
I sit down on my desk to wait,
and it hits me from nowhere--a sudden,
sweet, almost painful love for my students.
"Nevermind," I want to cry out.
"It doesn't matter about fragments.
Finding them or not. Everything's
a fragment and everything's not a fragment.
Listen to the music, how fragmented,
how whole, how we can't separate the music
from the sun falling on its knees on all the greenness,
from this moment, how this moment
contains all the fragments of yesterday
and everything we'll ever know of tomorrow!"
Instead, I keep a coward's silence.
The music stops abruptly;
they finish their work,
and we go through the right answers,
which is to say
we separate the fragments from the whole.
---
I love this poem because I can relate to the coward side it expresses, how it touches on what I've been writing here lately, that we focus on the details and miss the bigger picture. Do the students just come to class to learn what a simile is and how it is different from a metaphor? Do they come to class to just sit there and dream? Does the teacher come to class only just to teach what a term means or what an essay is supposed to look like formally? Or is there something more that we both, students and teachers, come to class for? Isn't there something more that you take away with you after a class period is over? After all the analyzing and/or memorizing is done, what is it that we're left with?
Personally, I'm left with what Zolynas calls here, that "sudden, sweet, almost painful love for my students". I love the fact, that as a teacher, I get to hear and read ideas from all of you at a time when you're all learning and changing, I get to see your progress and sometimes regress (and I wonder if that's my fault), I am inspired by so many students, especially being here at MC where everyone is from a different corner of the world with such interesting, unusual, original lives. The painful part is that I know you now but I might not know what you'll become even if I have some idea of it, though it remains an idea, probably a vague one. There are things that I cannot cover in a 50 minute period, things I may want to say just like the speaker here, but I coward and don't say anything for fear of sounding too gay or whatever, heh, or I don't say anything because I know you'll get it in your own ways, in your own terms, in your own time...some things are meant for us to learn on our own, nobody can teach us. I don't want to be a teller of secrets. I'd rather show you clues. Ideally, this is what I want to do as a teacher. I'm not always able to achieve that though. But I love to learn and adopt/adjust myself.
What about you? What do you take away after the learning and relearning has been done and over with? What do you care about the most about your experience as a student? What do you, ideally want to be and/or do as a student?
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